An empirical investigation of the visual rightness theory of picture perception
- PMID: 14529822
- DOI: 10.1016/j.actpsy.2003.07.001
An empirical investigation of the visual rightness theory of picture perception
Abstract
This research subjected the visual rightness theory of picture perception to experimental scrutiny. It investigated the ability of adults untrained in the visual arts to discriminate between reproductions of original abstract and representational paintings by renowned artists from two experimentally manipulated less well-organized versions of each art stimulus. Perturbed stimuli contained either minor or major disruptions in the originals' principal structural networks. It was found that participants were significantly more successful in discriminating between originals and their highly altered, but not slightly altered, perturbation than expected by chance. Accuracy of detection was found to be a function of style of painting and a viewer's way of thinking about a work as determined from their verbal reactions to it. Specifically, hit rates for originals were highest for abstract works when participants focused on their compositional style and form and highest for representational works when their content and realism were the focus of attention. Findings support the view that visually right (i.e., "good") compositions have efficient structural organizations that are visually salient to viewers who lack formal training in the visual arts.
Similar articles
-
An empirical evaluation of the visual rightness theory of pictorial composition.Acta Psychol (Amst). 1999 Dec;103(3):261-80. doi: 10.1016/s0001-6918(99)00044-x. Acta Psychol (Amst). 1999. PMID: 10668300
-
Visual interest in pictorial art during an aesthetic experience.Spat Vis. 2007;21(1-2):55-77. doi: 10.1163/156856807782753868. Spat Vis. 2007. PMID: 18073051
-
Abstract art paintings, global image properties, and verbal descriptions: An empirical and computational investigation.Acta Psychol (Amst). 2020 Jan;202:102936. doi: 10.1016/j.actpsy.2019.102936. Epub 2019 Nov 16. Acta Psychol (Amst). 2020. PMID: 31743852
-
A universal model of esthetic perception based on the sensory coding of natural stimuli.Spat Vis. 2007;21(1-2):97-117. doi: 10.1163/156856807782753886. Spat Vis. 2007. PMID: 18073053 Review.
-
Greater art classification does not necessarily predict better liking: Evidence from graffiti and other visual arts.Psych J. 2022 Oct;11(5):656-659. doi: 10.1002/pchj.473. Epub 2021 Jul 19. Psych J. 2022. PMID: 34288523 Review.
Cited by
-
Towards a new kind of experimental psycho-aesthetics? Reflections on the Parallellepipeda project.Iperception. 2011;2(6):648-78. doi: 10.1068/i0464aap. Epub 2011 Oct 19. Iperception. 2011. PMID: 23145251 Free PMC article.
-
Get the Picture? Goodness of Image Organization Contributes to Image Memorability.J Cogn. 2019 Aug 12;2(1):22. doi: 10.5334/joc.80. J Cogn. 2019. PMID: 31517240 Free PMC article.
-
A Neuroelectrical Brain Imaging Study on the Perception of Figurative Paintings against Only their Color or Shape Contents.Front Hum Neurosci. 2017 Jul 25;11:378. doi: 10.3389/fnhum.2017.00378. eCollection 2017. Front Hum Neurosci. 2017. PMID: 28790907 Free PMC article.
-
Measuring pictorial balance perception at first glance using Japanese calligraphy.Iperception. 2011;2(6):508-27. doi: 10.1068/i0472aap. Epub 2011 Aug 25. Iperception. 2011. PMID: 23145242 Free PMC article.
-
Aesthetic perception and its minimal content: a naturalistic perspective.Front Psychol. 2014 Sep 19;5:1038. doi: 10.3389/fpsyg.2014.01038. eCollection 2014. Front Psychol. 2014. PMID: 25285084 Free PMC article.
MeSH terms
LinkOut - more resources
Full Text Sources