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A book is a structured presentation of recorded information, primarily verbal and graphical, through a medium. Originally physical, electronic books and audiobooks are now existent. Physical books are objects that contain printed material, mostly of writing and images. Modern books are typically composed of many pages bound together and protected by a cover, what is known as the codex format; older formats include the scroll and the tablet.

As a conceptual object, a book often refers to a written work of substantial length by one or more authors, which may also be distributed digitally as an electronic book (ebook). These kinds of works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). But a physical book may not contain a written work: for example, it may contain only drawings, engravings, photographs, sheet music, puzzles, or removable content like paper dolls.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility such as braille printing and large-print editions.

Google Books estimated in 2010 that approximately 130 million total unique books had been published. The book publishing process is the series of steps involved in book creation and dissemination. Books are sold at both regular stores and specialized bookstores, as well as online (for delivery), and can be borrowed from libraries or public bookcases. The reception of books has led to a number of social consequences, including censorship.

Books are sometimes contrasted with periodical literature, such as newspapers or magazines, where new editions are published according to a regular schedule. Related items, also broadly categorized as "books", are left empty for personal use: as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks. (Full article...)

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  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Jack the Ripper: The Final Solution is a book written by Stephen Knight first published in 1976. It proposed a solution to five murders in Victorian London that were blamed on an unidentified serial killer known as "Jack the Ripper". Knight presented an elaborate conspiracy theory involving the British royal family, freemasonry and the painter Walter Sickert. He concluded that the victims were murdered to cover up a secret marriage between the second-in-line to the throne, Prince Albert Victor, Duke of Clarence and Avondale, and Annie Elizabeth Crook, a working class girl. There are many facts that contradict Knight's theory, and his main source, Joseph Gorman (also known as Joseph Sickert), later retracted the story and admitted to the press that it was a hoax. (Full article...)
    Jack the Ripper: The Final Solution is a book written by Stephen Knight first published in 1976. It proposed a solution to five murders in Victorian London that were blamed on an unidentified serial killer known as "Jack the Ripper".

    Knight presented an elaborate conspiracy theory involving the British royal family, freemasonry and the painter Walter Sickert. He concluded that the victims were murdered to cover up a secret marriage between the second-in-line to the throne, Prince Albert Victor, Duke of Clarence and Avondale, and Annie Elizabeth Crook, a working class girl. There are many facts that contradict Knight's theory, and his main source, Joseph Gorman (also known as Joseph Sickert), later retracted the story and admitted to the press that it was a hoax. (Full article...)
  • Image 2 Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom. The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
    Louis Riel is a historical biography in comics by Canadian cartoonist Chester Brown, published as a book in 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's antagonistic relationship with the newly established Canadian government. It begins shortly before the 1869 Red River Rebellion, and ends with Riel's 1885 hanging for high treason. The book explores Riel's possible schizophrenia—he believed God had named him Prophet of the New World, destined to lead the Métis people to freedom.

    The work is noted for its emotional disengagement, its intentionally flat dialogue, and a minimalist drawing style inspired by that of Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: a foreword, index, bibliography, and end notes. The lengthy, hand-lettered appendix provides insight into Brown's creative process and biases and highlights where he changed historical facts to create a more engaging story, such as incorporating a conspiracy theory not widely accepted by historians. Brown became interested in the issue of property rights while researching the book, which led to a public change in his politics from anarchism to libertarianism. (Full article...)
  • Image 3 The Log from the Sea of Cortez is an English-language book written by American author John Steinbeck and published in 1951. It details a six-week (March 11 – April 20) marine specimen-collecting boat expedition he made in 1940 at various sites in the Gulf of California (also known as the Sea of Cortez), with his friend, the marine biologist Ed Ricketts. It is regarded as one of Steinbeck's most important works of non-fiction chiefly because of the involvement of Ricketts, who shaped Steinbeck's thinking and provided the prototype for many of the pivotal characters in his fiction, and the insights it gives into the philosophies of the two men. The Log from the Sea of Cortez is the narrative portion of an earlier work, Sea of Cortez: A Leisurely Journal of Travel and Research, which was published by Steinbeck and Ricketts shortly after their return from the Gulf of California, and combined the journals of the collecting expedition, reworked by Steinbeck, with Ricketts' species catalogue. After Ricketts' death in 1948, Steinbeck dropped the species catalogue from the earlier work and republished it with a eulogy to his friend added as a foreword. (Full article...)
    The Log from the Sea of Cortez is an English-language book written by American author John Steinbeck and published in 1951. It details a six-week (March 11 – April 20) marine specimen-collecting boat expedition he made in 1940 at various sites in the Gulf of California (also known as the Sea of Cortez), with his friend, the marine biologist Ed Ricketts. It is regarded as one of Steinbeck's most important works of non-fiction chiefly because of the involvement of Ricketts, who shaped Steinbeck's thinking and provided the prototype for many of the pivotal characters in his fiction, and the insights it gives into the philosophies of the two men.

    The Log from the Sea of Cortez is the narrative portion of an earlier work, Sea of Cortez: A Leisurely Journal of Travel and Research, which was published by Steinbeck and Ricketts shortly after their return from the Gulf of California, and combined the journals of the collecting expedition, reworked by Steinbeck, with Ricketts' species catalogue. After Ricketts' death in 1948, Steinbeck dropped the species catalogue from the earlier work and republished it with a eulogy to his friend added as a foreword. (Full article...)
  • Image 4 Book title page Illustrations of the Family of Psittacidae, or Parrots is an 1832 book containing 42 hand-coloured lithographs by Edward Lear. He produced 175 copies for sale to subscribers as a part-publication, which were later bound as a book. Lear started painting parrots in 1830 when he was 18 years old, and to get material for his book he studied live birds at the London Zoo and in private collections. The latter included those of Edward Smith Stanley, later 13th Earl of Derby, who had a large menagerie at Knowsley Hall, and Benjamin Leadbeater, a taxidermist and trader in specimens. Lear drew onto lithographic plates for printing by Charles Joseph Hullmandel, who was known for the quality of his reproductions of fine art. Although the book was a financial failure, Lear's paintings of parrots established his reputation as one of the best natural history artists of his time. It found him work with John Gould, Stanley and other leading contemporary naturalists, and the young Queen Victoria engaged him to help her with her painting technique. Parrots was a forerunner to the major volumes of bird paintings by Gould, and Lear's serious work has influenced bird specialists like William T. Cooper, Elizabeth Butterworth, and Walton Ford. (Full article...)

    Book title page

    Illustrations of the Family of Psittacidae, or Parrots is an 1832 book containing 42 hand-coloured lithographs by Edward Lear. He produced 175 copies for sale to subscribers as a part-publication, which were later bound as a book. Lear started painting parrots in 1830 when he was 18 years old, and to get material for his book he studied live birds at the London Zoo and in private collections. The latter included those of Edward Smith Stanley, later 13th Earl of Derby, who had a large menagerie at Knowsley Hall, and Benjamin Leadbeater, a taxidermist and trader in specimens. Lear drew onto lithographic plates for printing by Charles Joseph Hullmandel, who was known for the quality of his reproductions of fine art.

    Although the book was a financial failure, Lear's paintings of parrots established his reputation as one of the best natural history artists of his time. It found him work with John Gould, Stanley and other leading contemporary naturalists, and the young Queen Victoria engaged him to help her with her painting technique. Parrots was a forerunner to the major volumes of bird paintings by Gould, and Lear's serious work has influenced bird specialists like William T. Cooper, Elizabeth Butterworth, and Walton Ford. (Full article...)
  • Image 5 Night is a 1960 memoir by Elie Wiesel based on his Holocaust experiences with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, toward the end of the Second World War in Europe. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about his loss of faith and increasing disgust with humanity, recounting his experiences from the Nazi-established ghettos in his hometown of Sighet, Romania, to his migration through multiple concentration camps. The typical parent–child relationship is inverted as his father dwindled in the camps to a helpless state while Wiesel himself became his teenaged caregiver. His father died in January 1945, taken to the crematory after deteriorating from dysentery and a beating while Wiesel lay silently on the bunk above him for fear of being beaten too. The memoir ends shortly after the United States Army liberated Buchenwald in April 1945. After the war, Wiesel moved to Paris and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign (Yiddish: און די װעלט האט געשװיגן, lit. 'And the World Remained Silent'). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night. (Full article...)
    Night is a 1960 memoir by Elie Wiesel based on his Holocaust experiences with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, toward the end of the Second World War in Europe. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about his loss of faith and increasing disgust with humanity, recounting his experiences from the Nazi-established ghettos in his hometown of Sighet, Romania, to his migration through multiple concentration camps. The typical parent–child relationship is inverted as his father dwindled in the camps to a helpless state while Wiesel himself became his teenaged caregiver. His father died in January 1945, taken to the crematory after deteriorating from dysentery and a beating while Wiesel lay silently on the bunk above him for fear of being beaten too. The memoir ends shortly after the United States Army liberated Buchenwald in April 1945.

    After the war, Wiesel moved to Paris and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign (Yiddish: און די װעלט האט געשװיגן, lit. 'And the World Remained Silent'). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night. (Full article...)
  • Image 6 Wordless novels flourished in Germany in the 1920s and typically were made using woodcut or similar techniques in an Expressionist style. (Frans Masereel, 25 Images of a Man's Passion, 1918) The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany. The wordless novel has its origin in the German Expressionist movement of the early 20th century. The typically socialist work drew inspiration from medieval woodcuts and used the awkward look of that medium to express angst and frustration at social injustice. The first such book was the Belgian Frans Masereel's 25 Images of a Man's Passion, published in 1918. The German Otto Nückel and other artists followed Masereel's example. Lynd Ward brought the genre to the United States in 1929 when he produced Gods' Man, which inspired other American wordless novels and a parody in 1930 by cartoonist Milt Gross with He Done Her Wrong. Following an early-1930s peak in production and popularity, the genre waned in the face of competition from sound films and anti-socialist censorship in Nazi Germany and the US. (Full article...)
    Four high-contrast black-and-white images in sequence. In the first, a man, facing left with his right arm aloft, marches with a crowd towards a group of gun-wielding figures. In the second, uniformed figures are taking the man away amongst a crowd. In the third, the man is seen from behind at the bottom, with a group seated behind a bench in the distance near the top in an apparent courtroom. A crucifix hangs prominently above the bench, bathed in light in the darkened room. In the fourth, the man has his back to a wall, hands bound behind him, with another figure lying apparently dead at his feet. He faces right, apparently awaiting his execution by gunfire.
    Wordless novels flourished in Germany in the 1920s and typically were made using woodcut or similar techniques in an Expressionist style. (Frans Masereel, 25 Images of a Man's Passion, 1918)


    The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany.

    The wordless novel has its origin in the German Expressionist movement of the early 20th century. The typically socialist work drew inspiration from medieval woodcuts and used the awkward look of that medium to express angst and frustration at social injustice. The first such book was the Belgian Frans Masereel's 25 Images of a Man's Passion, published in 1918. The German Otto Nückel and other artists followed Masereel's example. Lynd Ward brought the genre to the United States in 1929 when he produced Gods' Man, which inspired other American wordless novels and a parody in 1930 by cartoonist Milt Gross with He Done Her Wrong. Following an early-1930s peak in production and popularity, the genre waned in the face of competition from sound films and anti-socialist censorship in Nazi Germany and the US. (Full article...)
  • Image 7 The Halo Graphic Novel is a graphic novel anthology published by Marvel Comics in partnership with Bungie, set in the universe of the science fiction franchise Halo. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium. The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
    The Halo Graphic Novel is a graphic novel anthology published by Marvel Comics in partnership with Bungie, set in the universe of the science fiction franchise Halo. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium.

    The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
  • Image 8 The initial page of the Peterborough Chronicle The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons. The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of King Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Julius Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
    The initial page of the Peterborough Chronicle


    The Anglo-Saxon Chronicle is a collection of annals in Old English, chronicling the history of the Anglo-Saxons.

    The original manuscript of the Chronicle was created late in the ninth century, probably in Wessex, during the reign of King Alfred the Great (r. 871–899). Its content, which incorporated sources now otherwise lost dating from as early as the seventh century, is known as the "Common Stock" of the Chronicle. Multiple copies were made of that one original and then distributed to monasteries across England, where they were updated, partly independently. These manuscripts collectively are known as the Anglo-Saxon Chronicle. Almost all of the material in the Chronicle is in the form of annals, by year; the earliest is dated at 60 BC (the annals' date for Julius Caesar's invasions of Britain). In one case, the Chronicle was still being actively updated in 1154. (Full article...)
  • Image 9 Cover of 1945 Princeton edition The Smyth Report (officially Atomic Energy for Military Purposes) is the common name of an administrative history written by American physicist Henry DeWolf Smyth about the Manhattan Project, the Allied effort to develop atomic bombs during World War II. The subtitle of the report is A General Account of the Development of Methods of Using Atomic Energy for Military Purposes. It was released to the public on August 12, 1945, just days after the atomic bombings of Hiroshima and Nagasaki on August 6 and 9. Smyth was commissioned to write the report by Major General Leslie R. Groves, Jr., the director of the Manhattan Project. The Smyth Report was the first official account of the development of the atomic bombs and the basic physical processes behind them. It also served as an indication as to what information was declassified; anything in the Smyth Report could be discussed openly. For this reason, the Smyth Report focused heavily on information, such as basic nuclear physics, which was either already widely known in the scientific community or easily deducible by a competent scientist, and omitted details about chemistry, metallurgy, and ordnance. This would ultimately give a false impression that the Manhattan Project was all about physics. (Full article...)

    Cover of 1945 Princeton edition

    The Smyth Report (officially Atomic Energy for Military Purposes) is the common name of an administrative history written by American physicist Henry DeWolf Smyth about the Manhattan Project, the Allied effort to develop atomic bombs during World War II. The subtitle of the report is A General Account of the Development of Methods of Using Atomic Energy for Military Purposes. It was released to the public on August 12, 1945, just days after the atomic bombings of Hiroshima and Nagasaki on August 6 and 9.

    Smyth was commissioned to write the report by Major General Leslie R. Groves, Jr., the director of the Manhattan Project. The Smyth Report was the first official account of the development of the atomic bombs and the basic physical processes behind them. It also served as an indication as to what information was declassified; anything in the Smyth Report could be discussed openly. For this reason, the Smyth Report focused heavily on information, such as basic nuclear physics, which was either already widely known in the scientific community or easily deducible by a competent scientist, and omitted details about chemistry, metallurgy, and ordnance. This would ultimately give a false impression that the Manhattan Project was all about physics. (Full article...)
  • Image 10 The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth. The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
    The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth.

    The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
  • Image 11 The Playboy is a graphic novel by the Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models. The story begins with Brown's first purchase of an issue of Playboy as a teenager. His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later. His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics. The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
    The Playboy is a graphic novel by the Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models.

    The story begins with Brown's first purchase of an issue of Playboy as a teenager. His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later. His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics. The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
  • Image 12 First edition cover The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format. Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)

    First edition cover

    The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format.

    Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)
  • Image 13 Boenga Roos dari Tjikembang ([buˈŋa ˈrus daˈri tʃiˈkəmbaŋ]; translated to English as The Rose of Cikembang) is a 1927 vernacular Malay-language novel written by Kwee Tek Hoay. The seventeen-chapter book follows a plantation manager, Aij Tjeng, who must leave his beloved njai (concubine) Marsiti so that he can be married. Eighteen years later, after Aij Tjeng's daughter Lily dies, her fiancé Bian Koen discovers that Marsiti had a daughter with Aij Tjeng, Roosminah, who greatly resembles Lily. In the end Bian Koen and Roosminah are married. Inspired by the lyrics to the song "If Those Lips Could Only Speak" and William Shakespeare's A Midsummer Night's Dream, Boenga Roos dari Tjikembang was initially written as an outline for the stage drama troupe Union Dalia. Kwee intermixed several languages other than Malay, particularly Dutch, Sundanese, and English; he included two quotes from English poems and another from an English song. The novel has been interpreted variously as a promotion of theosophy, a treatise on the Buddhist concept of reincarnation, a call for education, an ode to njais, and a condemnation of how such women are treated. (Full article...)
    Boenga Roos dari Tjikembang ([buˈŋa ˈrus daˈri tʃiˈkəmbaŋ]; translated to English as The Rose of Cikembang) is a 1927 vernacular Malay-language novel written by Kwee Tek Hoay. The seventeen-chapter book follows a plantation manager, Aij Tjeng, who must leave his beloved njai (concubine) Marsiti so that he can be married. Eighteen years later, after Aij Tjeng's daughter Lily dies, her fiancé Bian Koen discovers that Marsiti had a daughter with Aij Tjeng, Roosminah, who greatly resembles Lily. In the end Bian Koen and Roosminah are married.

    Inspired by the lyrics to the song "If Those Lips Could Only Speak" and William Shakespeare's A Midsummer Night's Dream, Boenga Roos dari Tjikembang was initially written as an outline for the stage drama troupe Union Dalia. Kwee intermixed several languages other than Malay, particularly Dutch, Sundanese, and English; he included two quotes from English poems and another from an English song. The novel has been interpreted variously as a promotion of theosophy, a treatise on the Buddhist concept of reincarnation, a call for education, an ode to njais, and a condemnation of how such women are treated. (Full article...)
  • Image 14 First edition The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X in collaboration with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life. While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)

    First edition

    The Autobiography of Malcolm X is an autobiography written by American minister Malcolm X in collaboration with American journalist Alex Haley. It was released posthumously on October 29, 1965, nine months after his assassination. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and 1965. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book's epilogue. He described their collaborative process and the events at the end of Malcolm X's life.

    While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to create the effect of Malcolm X speaking directly to readers. Haley influenced some of Malcolm X's literary choices. For example, Malcolm X left the Nation of Islam during the period when he was working on the book with Haley. Rather than rewriting earlier chapters as a polemic against the Nation which Malcolm X had rejected, Haley persuaded him to favor a style of "suspense and drama". According to Manning Marable, "Haley was particularly worried about what he viewed as Malcolm X's anti-Semitism" and he rewrote material to eliminate it. (Full article...)
  • Image 15 Title page of the 1859 edition On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection, although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)

    Title page of the 1859 edition

    On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection, although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation.

    Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)
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A panorama showing an almost 180-degree view of the interior of the Reading Room.

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The British Museum Reading Room, situated in the centre of the Great Court of the British Museum, used to be the main reading room of the British Library. In 1997, this function moved to the new British Library building at St Pancras, London, but the Reading Room remains in its original form.
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  • Image 1 Title page of the original Danish edition from 1843 Either/Or (Danish: Enten – Eller) is the first published work of Danish philosopher Søren Kierkegaard. It appeared in two volumes in 1843 under the pseudonymous editorship of Victor Eremita (Latin for "victorious hermit"). It outlines a theory of human existence, marked by the distinction between an essentially hedonistic, aesthetic mode of life and the ethical life, which is predicated upon commitment. Either/Or portrays two life views. Each life view is written and represented by a fictional author, with the prose reflecting and depending on the life view. The aesthetic life view is written in short essay form, with poetic imagery and allusions, discussing aesthetic topics such as music, seduction, drama, and beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibility, critical reflection, and marriage. The views are expressed as experiences embodied by the fictional authors. The book's central concern is Aristotle's primal question, "How should we live?" His motto comes from Plutarch, "The deceived is wiser than one not deceived." (Full article...)

    Title page of the original Danish edition from 1843

    Either/Or (Danish: Enten – Eller) is the first published work of Danish philosopher Søren Kierkegaard. It appeared in two volumes in 1843 under the pseudonymous editorship of Victor Eremita (Latin for "victorious hermit"). It outlines a theory of human existence, marked by the distinction between an essentially hedonistic, aesthetic mode of life and the ethical life, which is predicated upon commitment.

    Either/Or portrays two life views. Each life view is written and represented by a fictional author, with the prose reflecting and depending on the life view. The aesthetic life view is written in short essay form, with poetic imagery and allusions, discussing aesthetic topics such as music, seduction, drama, and beauty. The ethical life view is written as two long letters, with a more argumentative and restrained prose, discussing moral responsibility, critical reflection, and marriage. The views are expressed as experiences embodied by the fictional authors. The book's central concern is Aristotle's primal question, "How should we live?" His motto comes from Plutarch, "The deceived is wiser than one not deceived." (Full article...)
  • Image 2 Outrageous Betrayal: The Dark Journey of Werner Erhard from est to Exile is a non-fiction book written by freelance journalist Steven Pressman and first published in 1993 by St. Martin's Press. The book gives an account of Werner Erhard's early life as Jack Rosenberg, his exploration of various forms of self-help techniques, and his foundation of Erhard Seminars Training "est" and later of Werner Erhard and Associates and of the est successor course, "The Forum". Pressman details the rapid financial success Erhard had with these companies, as well as controversies relating to litigation involving former participants in his courses. The work concludes by going over the impact of a March 3, 1991 60 Minutes broadcast on CBS where members of Erhard's family made allegations against him, and Erhard's decision to leave the United States. Representatives of Werner Erhard and of Landmark Worldwide, the successor company to The Forum, regarded the book as being "defamatory". (Full article...)
    Outrageous Betrayal: The Dark Journey of Werner Erhard from est to Exile is a non-fiction book written by freelance journalist Steven Pressman and first published in 1993 by St. Martin's Press. The book gives an account of Werner Erhard's early life as Jack Rosenberg, his exploration of various forms of self-help techniques, and his foundation of Erhard Seminars Training "est" and later of Werner Erhard and Associates and of the est successor course, "The Forum". Pressman details the rapid financial success Erhard had with these companies, as well as controversies relating to litigation involving former participants in his courses. The work concludes by going over the impact of a March 3, 1991 60 Minutes broadcast on CBS where members of Erhard's family made allegations against him, and Erhard's decision to leave the United States.

    Representatives of Werner Erhard and of Landmark Worldwide, the successor company to The Forum, regarded the book as being "defamatory". (Full article...)
  • Image 3 An End to al-Qaeda: Destroying Bin Laden's Jihad and Restoring America's Honor is a non-fiction book about counterterrorism strategies towards al-Qaeda, written by U.S. Navy retired cryptology analyst Malcolm Nance. The book describes how the September 11 attacks changed the traditional Muslim community around the globe. Nance criticizes the approach of the George W. Bush administration, including the verbiage and public presentations used in the War on Terror. The author argues al-Qaeda is not part of Islam but is instead a dangerous religious cult. Nance writes the United States should commit to better education with a public relations campaign to encourage traditional believers in Islam around the world to denounce al-Qaeda. Nance's work received a favorable book review from Journal of Strategic Security, which recommended it for new counterterrorism analysts, including those "developing their understanding of information operations and understanding the role of religion in the battle". ShadowProof praised the author's expertise in the subject matter of counterterrorism, observing Nance sharply criticized the manner in which the United States was losing the psychological warfare battle against al-Qaeda. The work received a critical book review from Publishers Weekly, which called it a "polemic". Additionally, a book review by Kirkus Reviews criticized it for "repetition and vitriol". (Full article...)
    An End to al-Qaeda: Destroying Bin Laden's Jihad and Restoring America's Honor is a non-fiction book about counterterrorism strategies towards al-Qaeda, written by U.S. Navy retired cryptology analyst Malcolm Nance. The book describes how the September 11 attacks changed the traditional Muslim community around the globe. Nance criticizes the approach of the George W. Bush administration, including the verbiage and public presentations used in the War on Terror. The author argues al-Qaeda is not part of Islam but is instead a dangerous religious cult. Nance writes the United States should commit to better education with a public relations campaign to encourage traditional believers in Islam around the world to denounce al-Qaeda.

    Nance's work received a favorable book review from Journal of Strategic Security, which recommended it for new counterterrorism analysts, including those "developing their understanding of information operations and understanding the role of religion in the battle". ShadowProof praised the author's expertise in the subject matter of counterterrorism, observing Nance sharply criticized the manner in which the United States was losing the psychological warfare battle against al-Qaeda. The work received a critical book review from Publishers Weekly, which called it a "polemic". Additionally, a book review by Kirkus Reviews criticized it for "repetition and vitriol". (Full article...)
  • Image 4 The Spin Alternative Record Guide is a music reference book compiled by the American music magazine Spin and published in 1995 by Vintage Books. It was edited by the rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book has essays and reviews from a number of prominent critics on albums, artists and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped to revive the career of the folk artist John Fahey, whose music was covered in the guide. (Full article...)

    The Spin Alternative Record Guide is a music reference book compiled by the American music magazine Spin and published in 1995 by Vintage Books. It was edited by the rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book has essays and reviews from a number of prominent critics on albums, artists and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds and Michael Azerrad.

    The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped to revive the career of the folk artist John Fahey, whose music was covered in the guide. (Full article...)
  • Image 5 From Bakunin to Lacan: Anti-Authoritarianism and the Dislocation of Power is a book on political philosophy by Saul Newman, published in 2001. It investigates the essential characteristics of anarchist theory, which holds that government and hierarchy are undesirable forms of social organisation. Newman seeks to move beyond the limitations these characteristics imposed on classical anarchism by using concepts from post-structuralist thought. By applying post-structuralist theory to anarchism, Newman presents an account of post-anarchism. His post-anarchism is more substantive than that of earlier thinkers, and has influenced later approaches to the philosophy. Released in a climate of an anarchist movement hostile to postmodern philosophy, From Bakunin to Lacan was criticised for its poor understanding of and engagement with contemporary anarchism. (Full article...)
    From Bakunin to Lacan: Anti-Authoritarianism and the Dislocation of Power is a book on political philosophy by Saul Newman, published in 2001. It investigates the essential characteristics of anarchist theory, which holds that government and hierarchy are undesirable forms of social organisation. Newman seeks to move beyond the limitations these characteristics imposed on classical anarchism by using concepts from post-structuralist thought.

    By applying post-structuralist theory to anarchism, Newman presents an account of post-anarchism. His post-anarchism is more substantive than that of earlier thinkers, and has influenced later approaches to the philosophy. Released in a climate of an anarchist movement hostile to postmodern philosophy, From Bakunin to Lacan was criticised for its poor understanding of and engagement with contemporary anarchism. (Full article...)
  • Image 6 Fences and Windows: Dispatches from the Front Lines of the Globalization Debate is a 2002 book by Canadian journalist Naomi Klein and editor Debra Ann Levy. The book is a collection of newspaper articles, mostly from The Globe and Mail, with a few magazine articles from The Nation and speech transcripts. The articles and speeches were all written by Klein in the 30 months after the publication of her first book, No Logo (1999), from December 1999 to March 2002. The articles focus upon the anti-globalization movement, including protest events and responses by law enforcement. The book was published in North America and the United Kingdom in October 2002. The imagery of fences and windows appear throughout the work. The fences represent exclusion and barriers, while the windows are opportunities for expressing alternative ideas. The book garnered both positive and negative reviews. Two of the articles were singled out as exceptional by several reviewers: "America is not a Hamburger" discusses the US State Department's attempt to re-brand America's image overseas; "The Brutal Calculus of Suffering" discusses media portrayals of war. (Full article...)
    Fences and Windows: Dispatches from the Front Lines of the Globalization Debate is a 2002 book by Canadian journalist Naomi Klein and editor Debra Ann Levy. The book is a collection of newspaper articles, mostly from The Globe and Mail, with a few magazine articles from The Nation and speech transcripts. The articles and speeches were all written by Klein in the 30 months after the publication of her first book, No Logo (1999), from December 1999 to March 2002. The articles focus upon the anti-globalization movement, including protest events and responses by law enforcement. The book was published in North America and the United Kingdom in October 2002.

    The imagery of fences and windows appear throughout the work. The fences represent exclusion and barriers, while the windows are opportunities for expressing alternative ideas. The book garnered both positive and negative reviews. Two of the articles were singled out as exceptional by several reviewers: "America is not a Hamburger" discusses the US State Department's attempt to re-brand America's image overseas; "The Brutal Calculus of Suffering" discusses media portrayals of war. (Full article...)
  • Image 7 Beowulf was traditionally believed to have been composed for performance and chanted by a scop to musical accompaniment. Illustration by Joseph Ratcliffe Skelton, c. 1910 The difficulty of translating Beowulf from its compact, metrical, alliterative form in a single surviving but damaged Old English manuscript into any modern language is considerable, matched by the large number of attempts to make the poem approachable, and the scholarly attention given to the problem. Among the challenges to the translator of Beowulf are whether to attempt a verse or prose rendering; how closely to stick to the original; whether to make the language archaic or to use distinctly modern phraseology; whether to domesticate or foreignize the text; to what extent to imitate the original's laconic style and understatement; and its use of intentionally poetic language to represent the heroic from what was already an ancient time when the poem was composed. (Full article...)
    Beowulf was traditionally believed to have been composed for performance and chanted by a scop to musical accompaniment. Illustration by Joseph Ratcliffe Skelton, c. 1910

    The difficulty of translating Beowulf from its compact, metrical, alliterative form in a single surviving but damaged Old English manuscript into any modern language is considerable, matched by the large number of attempts to make the poem approachable, and the scholarly attention given to the problem.

    Among the challenges to the translator of Beowulf are whether to attempt a verse or prose rendering; how closely to stick to the original; whether to make the language archaic or to use distinctly modern phraseology; whether to domesticate or foreignize the text; to what extent to imitate the original's laconic style and understatement; and its use of intentionally poetic language to represent the heroic from what was already an ancient time when the poem was composed. (Full article...)
  • Image 8 Don't Forget the Bacon! is a children's book written and illustrated by Pat Hutchins. It was published by Bodley Head in 1976. The story is about a little boy who tries to memorise a list of groceries his mother has asked him to buy. The book has been used as a teaching tool to instruct children about early learning concepts. In an analysis of teaching tools for remedial readers, Maurice Saxby notes in the book Books in the Life of a Child: Bridges to Literature & Learning, "Hutchins's Don't Forget the Bacon has been one of my most successful texts." Andrea Hillbrick's Tuning in with Task Cards includes a teaching lesson structured around the boy's shopping list from the story. The book Foundation Blocks suggests Don't Forget the Bacon! be used to teach children about the concept of miscommunication, and Bilinguality and Literacy lists the story among those used to help assist a bilingual child develop fluency in English. (Full article...)
    Don't Forget the Bacon! is a children's book written and illustrated by Pat Hutchins. It was published by Bodley Head in 1976. The story is about a little boy who tries to memorise a list of groceries his mother has asked him to buy. The book has been used as a teaching tool to instruct children about early learning concepts.

    In an analysis of teaching tools for remedial readers, Maurice Saxby notes in the book Books in the Life of a Child: Bridges to Literature & Learning, "Hutchins's Don't Forget the Bacon has been one of my most successful texts." Andrea Hillbrick's Tuning in with Task Cards includes a teaching lesson structured around the boy's shopping list from the story. The book Foundation Blocks suggests Don't Forget the Bacon! be used to teach children about the concept of miscommunication, and Bilinguality and Literacy lists the story among those used to help assist a bilingual child develop fluency in English. (Full article...)
  • Image 9 The Land of Lost Content: the Biography of Anthony Chenevix-Trench is a biographical book about the life of British headmaster Anthony Chenevix-Trench, written by Mark Peel. Chenevix-Trench had been a widely acclaimed teacher at Shrewsbury School, and subsequently headmaster at Bradfield College, Eton College and Fettes College, but was later criticised for his approach to corporal punishment. Published by Pentland Press in 1996, the book received mixed reviews, with questions over its neutrality and writing style, but plaudits for its insights into British culture and education. The book's title is taken from Poem XL in A. E. Housman's collection A Shropshire Lad. (Full article...)
    The Land of Lost Content: the Biography of Anthony Chenevix-Trench is a biographical book about the life of British headmaster Anthony Chenevix-Trench, written by Mark Peel. Chenevix-Trench had been a widely acclaimed teacher at Shrewsbury School, and subsequently headmaster at Bradfield College, Eton College and Fettes College, but was later criticised for his approach to corporal punishment. Published by Pentland Press in 1996, the book received mixed reviews, with questions over its neutrality and writing style, but plaudits for its insights into British culture and education.

    The book's title is taken from Poem XL in A. E. Housman's collection A Shropshire Lad. (Full article...)
  • Image 10 Maiden & Princess is a 2019 picture book written in rhyming verse by Daniel Haack and Isabel Galupo and illustrated by Becca Human. The story, described in some press outlets as a lesbian fairy tale, concerns a maiden attending a ball centered on finding a wife for the prince; at the ball, the maiden instead falls in love with his sister, the princess. The book is a companion to and shares a fictional world with Haack's earlier work, Prince & Knight (2018); both books were the product of a partnership between Bonnier Publishing USA and LGBT media organization GLAAD. Galupo and Haack sought to write an uncomplicated queer romance for children using recognizable fairy tale tropes. The work was launched on Lesbian Visibility Day and received positive reviews for its subversion of common fairy tale story beats and Human's artwork. (Full article...)
    Maiden & Princess is a 2019 picture book written in rhyming verse by Daniel Haack and Isabel Galupo and illustrated by Becca Human. The story, described in some press outlets as a lesbian fairy tale, concerns a maiden attending a ball centered on finding a wife for the prince; at the ball, the maiden instead falls in love with his sister, the princess.

    The book is a companion to and shares a fictional world with Haack's earlier work, Prince & Knight (2018); both books were the product of a partnership between Bonnier Publishing USA and LGBT media organization GLAAD. Galupo and Haack sought to write an uncomplicated queer romance for children using recognizable fairy tale tropes. The work was launched on Lesbian Visibility Day and received positive reviews for its subversion of common fairy tale story beats and Human's artwork. (Full article...)
  • Image 11 Embossed cover of first edition with artwork by John Lockwood Kipling The Jungle Book is an 1894 collection of stories by the English author Rudyard Kipling. Most of the characters are animals such as Shere Khan the tiger and Baloo the bear, though a principal character is the boy or "man-cub" Mowgli, who is raised in the jungle by wolves. Most stories are set in a forest in India; one place mentioned repeatedly is "Seeonee" (Seoni), in the central state of Madhya Pradesh. A major theme in the book is abandonment followed by fostering, as in the life of Mowgli, echoing Kipling's own childhood. The theme is echoed in the triumph of protagonists including Rikki-Tikki-Tavi and The White Seal over their enemies, as well as Mowgli's. Another important theme is of law and freedom; the stories are not about animal behaviour, still less about the Darwinian struggle for survival, but about human archetypes in animal form. They teach respect for authority, obedience, and knowing one's place in society with "the law of the jungle", but the stories also illustrate the freedom to move between different worlds, such as when Mowgli moves between the jungle and the village. Critics have also noted the essential wildness and lawless energies in the stories, reflecting the irresponsible side of human nature. (Full article...)

    Embossed cover of first edition with artwork by John Lockwood Kipling

    The Jungle Book is an 1894 collection of stories by the English author Rudyard Kipling. Most of the characters are animals such as Shere Khan the tiger and Baloo the bear, though a principal character is the boy or "man-cub" Mowgli, who is raised in the jungle by wolves. Most stories are set in a forest in India; one place mentioned repeatedly is "Seeonee" (Seoni), in the central
    state of Madhya Pradesh.

    A major theme in the book is abandonment followed by fostering, as in the life of Mowgli, echoing Kipling's own childhood. The theme is echoed in the triumph of protagonists including Rikki-Tikki-Tavi and The White Seal over their enemies, as well as Mowgli's. Another important theme is of law and freedom; the stories are not about animal behaviour, still less about the Darwinian struggle for survival, but about human archetypes in animal form. They teach respect for authority, obedience, and knowing one's place in society with "the law of the jungle", but the stories also illustrate the freedom to move between different worlds, such as when Mowgli moves between the jungle and the village. Critics have also noted the essential wildness and lawless energies in the stories, reflecting the irresponsible side of human nature. (Full article...)
  • Image 12 Education and Democracy: The Meaning of Alexander Meiklejohn, 1872–1964 is the first full biography of Alexander Meiklejohn written by Adam R. Nelson and published by the University of Wisconsin Press in 2001. The title is not a complete biography but draws from five archives to show Meiklejohn through his own words. A popular figure in the early 20th century who has since faded, Meiklejohn was a philosopher and university president who championed unified knowledge, idealism, and Great Books curricula. The book is split into five sections based on the locations in which Meiklejohn lived: his undergrad, faculty, and administrative years at Brown University, his presidency of Amherst College, his time with the University of Wisconsin Experimental College, and his experience with adult education and free speech advocacy at Berkeley. Nelson portrays Meiklejohn as "contradictory, paradoxical, and quixotic" as he grapples with how to encourage students to pursue freedom and how a teacher can teach this while respecting student freedom. (Full article...)
    Education and Democracy: The Meaning of Alexander Meiklejohn, 1872–1964 is the first full biography of Alexander Meiklejohn written by Adam R. Nelson and published by the University of Wisconsin Press in 2001. The title is not a complete biography but draws from five archives to show Meiklejohn through his own words. A popular figure in the early 20th century who has since faded, Meiklejohn was a philosopher and university president who championed unified knowledge, idealism, and Great Books curricula. The book is split into five sections based on the locations in which Meiklejohn lived: his undergrad, faculty, and administrative years at Brown University, his presidency of Amherst College, his time with the University of Wisconsin Experimental College, and his experience with adult education and free speech advocacy at Berkeley. Nelson portrays Meiklejohn as "contradictory, paradoxical, and quixotic" as he grapples with how to encourage students to pursue freedom and how a teacher can teach this while respecting student freedom. (Full article...)
  • Image 13 Cover Geographia Neoteriki (Greek: Γεωγραφία Νεωτερική Modern Geography) is a geography book written in Greek by Daniel Philippidis and Grigorios Konstantas and printed in Vienna in 1791. It focused on both the physical and human geography features of the European continent and especially on Southeastern Europe, and is considered one of the most remarkable works of the modern Greek Enlightenment. The authors of the Geographia Neoteriki adopted new geographical methodologies for that time, which were primarily based on personal examination of the described areas and used as sources a number of contemporary European handbooks. The work, written in a vernacular language, also described the contemporary social developments and expressed ideas that were considered revolutionary and anticlerical, and addressed the political and economic decay of the Ottoman Empire. Geographia Neoteriki was welcomed with enthusiasm by western intellectual circles, especially in France, but on the other hand, it was largely neglected by Greek scholars. (Full article...)

    Cover

    Geographia Neoteriki (Greek: Γεωγραφία Νεωτερική Modern Geography) is a geography book written in Greek by Daniel Philippidis and Grigorios Konstantas and printed in Vienna in 1791. It focused on both the physical and human geography features of the European continent and especially on Southeastern Europe, and is considered one of the most remarkable works of the modern Greek Enlightenment. The authors of the Geographia Neoteriki adopted new geographical methodologies for that time, which were primarily based on personal examination of the described areas and used as sources a number of contemporary European handbooks.

    The work, written in a vernacular language, also described the contemporary social developments and expressed ideas that were considered revolutionary and anticlerical, and addressed the political and economic decay of the Ottoman Empire. Geographia Neoteriki was welcomed with enthusiasm by western intellectual circles, especially in France, but on the other hand, it was largely neglected by Greek scholars. (Full article...)
  • Image 14 The Last Hurrah: Sterling Price's Missouri Expedition of 1864 is a 2015 book written by Kyle Sinisi and published by Rowman & Littlefield about Price's Missouri Expedition, an 1864 campaign of the American Civil War that failed to wrest control of the state of Missouri from the Union. Sinisi focused on the military expedition itself, but also covered political machinations that occurred during the expedition as well as topography and logistics. The Last Hurrah posits that the campaign should not be viewed as a raid due to its magnitude, that the Battle of Mine Creek had elements of a massacre, and that Missouri did not want to give up Union control. Reviewers praised the work, especially its ability to cover the campaign comprehensively while also discussing factors such as politics and the effects of guerrilla warfare. (Full article...)
    The Last Hurrah: Sterling Price's Missouri Expedition of 1864 is a 2015 book written by Kyle Sinisi and published by Rowman & Littlefield about Price's Missouri Expedition, an 1864 campaign of the American Civil War that failed to wrest control of the state of Missouri from the Union. Sinisi focused on the military expedition itself, but also covered political machinations that occurred during the expedition as well as topography and logistics. The Last Hurrah posits that the campaign should not be viewed as a raid due to its magnitude, that the Battle of Mine Creek had elements of a massacre, and that Missouri did not want to give up Union control. Reviewers praised the work, especially its ability to cover the campaign comprehensively while also discussing factors such as politics and the effects of guerrilla warfare. (Full article...)
  • Image 15 Ursula K. Le Guin, the author, in 2004. "Coming of Age in Karhide" is a science fiction short story by Ursula K. Le Guin, first published in 1995. The story is set on the fictional planet of Gethen, the same as Le Guin's 1969 novel The Left Hand of Darkness, and is a part of Le Guin's Hainish cycle. The story explores themes of growing into adulthood on a planet where individuals have no fixed biological sex. Reviewers stated that the story went further than Left Hand in its exploration of biological sex and sexuality, and was a "quietly feminist" work. It was also described as lacking the "dizzying impact" of Left Hand. In 2002, it was anthologized in the volume The Birthday of the World, along with many other stories exploring marriage and sexual relationships. (Full article...)
    Ursula K. Le Guin, the author, in 2004.

    "Coming of Age in Karhide" is a science fiction short story by Ursula K. Le Guin, first published in 1995. The story is set on the fictional planet of Gethen, the same as Le Guin's 1969 novel The Left Hand of Darkness, and is a part of Le Guin's Hainish cycle. The story explores themes of growing into adulthood on a planet where individuals have no fixed biological sex. Reviewers stated that the story went further than Left Hand in its exploration of biological sex and sexuality, and was a "quietly feminist" work. It was also described as lacking the "dizzying impact" of Left Hand. In 2002, it was anthologized in the volume The Birthday of the World, along with many other stories exploring marriage and sexual relationships. (Full article...)
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